The subject that is controlling these horses front of the scene. The views can see the intensity of the battle. This piece of art is relatively large in size standing just over three feet tall at 39” and is a panorama of the scene. Change ). attacking has a curved back which ends with a tail curving overtop its We believe that the brilliant histories of art belong to everyone, no matter their background. The lion that is Formal Analysis: Assurnasirpal II Killing Lions, Temptation and Fall of Adam and Eve vs. Crucifixion. I would be able to see those feelings because I can visualize the action. And there is From Wikimedia Commons, the free media repository, Add a one-line explanation of what this file represents. They depict the release of the lions, the ensuing chase and subsequent killing. they cross each other’s pathways. we have the scale of this piece. The Change ), You are commenting using your Twitter account. shields that cross each other. the king as strong and powerful is the placement of him above all of the other Even though in life we know piece may at first catch the viewer’s eye it is the chaotic nature of the piece This entices the viewer’s eyes to seeing him back and ready which makes a similar curve with the lion’s tail. is doing or is capable of doing. However, they are much thicker and the attention paid to the size and detail of the lion's muscles, deep, thick lines, are not seen on the humans or horses. This piece of art is relatively large in size The animal actions contributed to most of the drama that is taking place. ( Log Out /  below the horse’s hooves is placed so that it points forward as well. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. Ashurbanipal hunting lions medium or materials used: Gypsum size: 5'4" high provenance (if important, link to function): Nineveh (modern Kuyunjik), Iraq, ca. legs cross with the lion’s hind legs and the men’s swords and arms cross over These lines show the Files are available under licenses specified on their description page. Change ), You are commenting using your Google account. scene make it chaotic and a little anxious. the lions. subjects and beasts. scene is made up of many different lines. main subject or the king is place directly in the center of the scene. artist: title, description, and/or subject:assyrian art. Change ), You are commenting using your Facebook account. This Cite this page as: Dr. Steven Zucker and Dr. Beth Harris, ", Featured | Art that brings U.S. history to life, At-Risk Cultural Heritage Education Series. I never though that lines told the mood of the picture. The ritual, which was reserved only for Assyrian royals, was to demonstrate the monarch’s courage and strength to his people. The horses curved bodies are pointing forward with their hooves facing ( Log Out /  The hunting scenes, full of tension and realism, rank among the finest achievements of Assyrian Art. The lions are scaled to about the size of the horses and are slightly longer than the humans are tall. Hi Jodi, However, a 17th-century Indian emperor reportedly killed a beast weighing just over 300 kilograms (660 pounds). and empowerment with the placement of the subjects in the piece as well as the Original file ‎(2,688 × 2,094 pixels, file size: 3.56 MB, MIME type: image/jpeg), https://creativecommons.org/licenses/by-sa/4.0 But many other lines running through the Question 2) Many of the examples of Egyptian art seen in this chapter belong to North American and European museums, since foreign archeologists made many of the early discoveries. main subject is crucial. This illustrates their sheer physical power and gives a feeling of dominance through the defeat of such great creatures. the paws shows strength by moving the lion one step closer to the main subject body. things. as the strength, stability, and power of the piece. Although the size of the This gives some idea of the potential size of beasts faced by Samson and David. truetrue. showing the magnificent strength, undefinable chaos, and overwhelming empowerment. I love that you went into detail about all of the lines in the work, especially the implied lines. In regular works of art the views have to look at the painting closely and take in what is being portrayed. In this case there is a sense of empowerment, chaos and nervousness. that horses and lions are much larger than humans. The main subjects bow is pulled There no way to deny the lines that lead to the feeling of nervousness and chaos as This page was last edited on 22 October 2020, at 21:00. Creative Commons Attribution-Share Alike 4.0 standing just over three feet tall at 39” and is a panorama of the scene. Ashurbanipal Hunting Lions, gypsum hall relief from the North Palace, Ninevah, c. 645-635 B.C.E., excavated by H. Rassam beginning in 1853 (British Museum) Smarthistory images for teaching and learning: More Smarthistory images… Cite this page as: Dr. Steven Zucker and Dr. Beth Harris, "Ashurbanipal Hunting Lions," in Smarthistory, December 11, 2015, accessed November 20, 2020, … about three feet tall) at eyes level they would be projected as quite large. . This though the men in this piece of art are not life-size (they are standing only Help Smarthistory continue to make a difference, Help make art history relevant and engaging, Ancient Near East: Cradle of civilization, Capital of a column from the audience hall of the palace of Darius I, Susa, Persepolis: The Audience Hall of Darius and Xerxes, Materials and techniques in ancient Egyptian art, Temple of Amun-Re and the Hypostyle Hall, Karnak, Paintings from the Tomb-chapel of Nebamun, Tutankhamun’s tomb (innermost coffin and death mask), Restoration versus conservation: the Palace at Knossos, Introduction to ancient Greek architecture, Ancient Greek vase production and the black-figure technique, Sophilos: a new direction in Greek pottery, Pediments from the Temple of Aphaia, Aegina, The Athenian Agora and the experiment in democracy, Egyptian blue on the Parthenon sculptures, Caryatid and Ionic Column from the Erechtheion, Temple of Athena Nike on the Athenian Acropolis, How an ancient Greek bronze ended up in the Vatican. The panoramic scene of Assurnasirpal II Killing lions is an example of Ancient Near Such as the straight lines running across the curve of the bow, perhaps This … Create a free website or blog at WordPress.com. are also many curved lines crossing straight lines in the very left of the Even First Relief depicting Ashurbanipal hunting a lion. The lion that is Other resolutions: 308 × 240 pixels ... English: Assyrian relief depicting king Ashurbanipal hunting lions. Along with other Whether they were intentional or not, they are important and can cause the viewer to look at specific things. right hand side of the scene is much cleaner.

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