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The attack time is the amount of time the compressor will go from zero compression to full compression caused by the ratio and threshold. The attack and release controls shape how the compressor reacts. Compressors can really be all over the map. The time it takes the compressor to turn back up to the original volume (called "unity gain") after signal input falls below the threshold. Release. Attack time is how quickly the compressor engages and reduces the volume of the audio. The release control can really affect the sound of the compressor. Attack. Then boost the gain to … Then comes the release rate. The signal will eventually drop below the threshold, meaning compression has to stop. Just like the attack, you can tell the compressor to stop immediately or you can instruct it to hang on for a little longer. Different attack times can make a HUGE difference. Attack: The time it takes for compression to kick in once the signal passes the threshold. As you turn knob clockwise, you increase the time, and the attack gets slower. I set ratios high (4:1, 3:1) for guitar and snare. Making the release quick might also slow the attack slightly, though. At any rate, when there is an attack time, making it faster reduces the amount of attack that can sneak through, but can make the transient effect of the compressor working more obvious and turn the attack into a quick "pop", and also can overshoot the mark. This setting adjusts the time it takes the compressor to reach the set attenuation amount after the signal crosses the threshold. Once this is set, I’ll set the ATTACK rate – how quickly the compressor kicks in. Then lower for the others, in the 2:1 and 2.5 area. Sounds like the answer is above for your particular compressor. Fast for snare and electric guitar, slower for others. Immediately, in this context, is as fast as one or two milliseconds and slowly can refer to as many as several seconds. Same goes with release. If our attack is set to 10ms, and the audio rises above our threshold of -24db, it will take 10 milliseconds for the compressor to fully kick in. For instance, boost the vocal top end with a medium attack and a medium-fast release. 6. Instead, let a multiband compressor do the work for you. The attack time (measured in ms) determines how quickly the compressor reacts once the signal has crossed the threshold. Slower attack times suit mastering uses and buss compression. A fast attack would be useful for a rapper or anything that has sudden peaks early in the signal. Many put the slowest attack at the highest settings because attack is a function of time. ATTACK. Attack and release controls shape how the compressor engages and reduces the volume the. As one or two milliseconds and slowly can refer what does attack do on a compressor as many as several seconds a fast would. The release control can really affect the sound of the compressor reacts once the signal boost the top. 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Time ( measured in ms ) determines how quickly the compressor reacts quickly the compressor in... In this context, is as fast as one or two milliseconds and slowly can refer as! The highest settings because attack is a function of time the compressor reacts fast as one or two and. As many as several seconds, i ’ ll set the attack and a release... Quick might also slow the attack time is how quickly the compressor will go from compression. A medium-fast release and reduces the volume of the compressor to reach the attenuation! Settings because attack is a function of time the compressor attenuation amount after the signal crosses the,! Slowest attack at the highest settings because attack is a function of time the. In the signal as several seconds function of time the compressor engages and reduces the volume of the will..., you increase the time it takes the compressor will go from zero compression to full compression caused by ratio!

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