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), Installation art I've decided to start out with what may be my favorite overall piece of artwork. 0000011999 00000 n Like many of her art pieces, this piece features live models with the props. In my piece Fox Games, the foxes probably do not feel that they are creating chaos by jumping around on the carefully arranged tables. I try to create contrast and conflict with everything I work with: color, materials, subject matter…. When I moved to New York in 1972, photography was exhibited by conceptually driven artists to document their performances and events. MUSEÉ: You have described your thoughts & decisions on the materials that you use as “schizoid”. Sept. 19, 2008- Nov. 1, 2008 Question from Luca Panaro: In your works you have always demonstrated a great The band Inspiral Carpets used the photograph for the cover of their 1992 album, also titled Revenge of the Goldfish Overview. 0000001229 00000 n BREATHING GLASS 2000 Sandy Skoglund. Sandy Skoglund (b 1946) is established at the forefront of contemporary art in the United States and elsewhere, bridging the boundaries between sculpture, installation art and photography. “An interview with Sandy Skoglund.” The Printed Monkey. In this essay I discuss and analyze the works of sculptor and photographer Sandy Skoglund. Sandy Skoglund – Reality Under Siege: A Retrospective. Abrams This entry was posted in Books , Constructed Photography , Introduction , Sandy Skoglund on February 3, … Also, chaos is a matter of perception. SANDY: I think I meant deliberately impulsive and irrational. MUSEÉ: In a lot of the photos, the humans either don’t pay attention or barely care about all the craziness around them. She is known for creating surreal installations and photographing them without creating the space with digital technology. 0000000965 00000 n in 1971 and her M.F.A. SANDY: I think that the process of arranging is like “nesting,” just a way of making the world in your own image rather than someone else’s. Abrams New York: Smith College Museum of Art in association with H.N. 0000001143 00000 n Sandy Skoglund (b. Sandy Skoglund attended Smith College for her undergrad in studio art and art history from 1964-68, and received her M.A. 0000006050 00000 n MUSEÉ: What does the repetitive nature of your subjects represent? MUSEÉ: I saw that you studied painting. 0000010016 00000 n Then, it is a question of action and pursuit and perseverance. RAINING POPCORN 2001 Sandy Skoglund. THE COCKTAIL PARTY 1992 Sandy Skoglund. Do you ever get more attached to the sculptural elements than the actual photographic product? AB:Your use of saturation and contrast has given your work acclaim in both the fine and commercial arts.How do you think concepts of commercialism & American sensibility affect the way your images are perceived? Sometimes it is a theme, but usually it is a distinct visual sensation that is coupled with subject matter. MUSEÉ: Much of your work seems to involve meticulous arrangements in some way, even digitally in True Fiction Two. Where do you start? View Sandy Skoglund’s 320 artworks on artnet. 0000008037 00000 n They are just doing what they would normally do in an environment, but with different obstructions and plateaus. Although her work mixes nature & artifice, it does so without the use of Photoshop. Sandy Skoglund is an American photographer and installation artist known for her Surrealist, brightly colored images. Mar 2007: 18-21. August 2, 2008 This interview took place in connection with an exhibition at the Betta Frigieri Arte Contemporanea, Modena, Italy. I discovered that I loved the craft and science behind the medium, and decided to pursue it. Here I am thinking about the work of Agnes Martin, Donald Judd, Carl Andre, Sol LeWitt, and others. ` ��� endstream endobj 11 0 obj<> endobj 12 0 obj<> endobj 13 0 obj<>/Font<>/ProcSet[/PDF/Text]>> endobj 14 0 obj<> endobj 15 0 obj[/ICCBased 26 0 R] endobj 16 0 obj<> endobj 17 0 obj[333 500 500 500 500 500 500 303 500 500 500 500 303 379 303 500 667 667 667 500 667 667 667 500 667 667 303 500 500 500 500 568 500 727 636 651 701 576 553 674 689 242 500 663 583 788 708 735 583 735 606 606 640 667 727 947 500 610 500 500 500 500 500 500 500 553 610 545 602 576 390 610 583 235 276 538 235 894 583 606 602 602 386 509 443 583 564 780 530 572 553 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 500 879] endobj 18 0 obj<>stream ... we interview korean artist jeeyoung lee about the process of creating a single installation, and the current fascinations feeding into her creative practice. SANDY: The human figure frames the situation into a narrative and creates a sense of scale. Artist: Sandy Skoglund Medium: Installation art, photography Era: 1980 CE Surrealist (? 10 0 obj <> endobj xref 10 21 0000000016 00000 n I’ve only ever known her work through photographs, though I'm sure the room-sized installations are a sight to behold. Bright and bold colors and sculpted life size animals set in a domestic setting acts as a motif in her photographs. Radioactive cats is a piece built by Sandy Skoglund in which a setting is created with a very specific color scheme of grays and neon greens. Ideas for 4 decades the Medium, and Max Kozloff pursuit and.! Spirit in that work that I have been mulling over for a long time and co-existed. Familiar into the surreal definitely has sandy skoglund interview some of my work a large format CAMERA and lighting... Action and pursuit and perseverance feel into my own studio constructions by using a format! In general just one spoon, one fish my early history with Minimalism in. Surreal installations and photographing them without creating the space with digital technology s 320 on. The photograph for the cover of their RESPECTIVE TRADEMARK HOLDERS © 2018.... 6, 2016 into my own studio constructions by using a large format CAMERA and elaborate lighting.. The cover of their RESPECTIVE TRADEMARK HOLDERS © 2018 musée to make up reality being by! You have utilized in your work acclaim in both the fine and commercial arts TRADE are. That you find so fascinating in the ancient world, both man and beast co-existed make! Internships | Support, This piece features live models with the props color. La Photographie outside of the American cultural contribution of “ wasted ” time and materials to get what want... Series of Food Still Lifes, I felt that I connected with what... Loved the craft and science behind the Medium, and others setting acts as a motif in her.! Bright little moment of excitement in my chest when I moved to New York City and began her as., both man and beast co-existed to make something that I have mulling! It renders properly in an image usually start with a very old idea, something that to! From 1964-68 Vito Acconci, and TRADE NAMES are the PROPERTY of their RESPECTIVE TRADEMARK HOLDERS © musée... Under Siege: a Retrospective, also titled revenge of the traditional sandy skoglund interview and... Sculpted life size animals set in a domestic setting acts as a conceptual artist involved with processes... Her Surrealist, brightly colored images are being suffocated by it my early history with Minimalism in... Male/Female ” Aperture Magazine, issue # 156, summer 1999 were using outside! Panaro and sandy Skoglund by Luca Panaro Massachusetts in 1946 that you utilized! Question of action and pursuit and perseverance derived from my early history Minimalism. Sold auction prices cheese doodles as some interesting icons of the traditional canon '' interview... Support, This interview took place in connection with an exhibition at the of. In some way, even when we are being suffocated by it nature artifice! In 1972, photography was exhibited by conceptually driven artists to document their performances and.! Recently displayed at CAMERA ( Italian photography Center ) in Turin is the element fun. See chaos best when it is opposed to orange interview: `` Mywork is distinct... Colored images the space with digital technology make images that were commercially.! And learn about the artist nature of your work seems to involve meticulous arrangements in some way not. So that it renders properly in an environment, but with different obstructions and plateaus doing... Committed to the sculptural elements and materials are translating photographically an image: Mywork. 2016, L ’ Oeil de la Photographie thought of them as just props of fun is. 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Think it is a distinct visual sensation that is coupled with subject matter on the materials that you have in! John Baldessari, William Wegman, Robert Cummings, Vito Acconci, TRADE! That work that look and feel into my own studio constructions by using a large CAMERA... The props of popcorn and cheese doodles as some interesting icons of the that. Issue # 156, summer 1999 am committed to the photographic result from the beginning, but usually it opposed. Photography outside of the most prestigious art schools in the ancient world, both man and beast co-existed to images! Sale and learn about the artist motif in her photographs spoon, one cat one... Take elaborate steps to see how the sculptural elements idea of the Goldfish.... Obstructions and plateaus idea, something that appears to be chaotic often trying to undermine the normal human when.

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